Edward Barber & Jay Osgerby
Edward Barber & Jay Osgerby
35-42 Charlotte RoadEC2A 3PG London
United Kingdom
T N°+44 (0)20 7033 3884
info@barberosgerby....
barberosgerby.com
14 visitors
since January 2012
Edward Barber and Jay Osgerby founded their eponymous studio in 1996 after graduating with Master’s degrees in Architecture from The Royal College of Art in London. From their first studio in Trellick Tower in London, they designed their first piece, the Loop Table, produced by Isokon in 1997. Much of Barber and Osgerby’s early work involved the folding and shaping of sheet material, influenced by the white card that they had used frequently in architectural model making. Plywood and perspex were used in the development of the Pilot Table, 1999, and Stencil Screen, 2000.
In 2004 the pair were awarded the Jerwood Applied Arts Prize. This led to a commission to design new pieces for the De La Warr Pavilion in Bexhill On Sea. Known for their use of colour, with the limited edition Iris tables, Barber and Osgerby developed a new direction, using colour as the starting point for the work. The same year saw the launch of Tab for Flos, a return to the folded form. In 2009, Barber and Osgerby launched their first major commission for Murano glassmakers, Venini which resulted in a series of unique, large-scale glass vases, created in limited editions and shown in Milan, Porto Cervo and London.
2010 saw the creation of an investigational installation at the Milan Salone del Mobile Internazionale and an exploration into experimental objects and environments. The objects explored and exploited Sony’s new innovations in sound technology to transform ordinary materials into sound-emitting objects. Barber and Osgerby’s research-led practice has developed collections for Cappellini, Magis, Vitra, Venini, Swarovski, Flos and Established & Sons, whilst also producing edition furniture and one-off works for both private and public commissions. Both professors of design, Barber and Osgerby have lectured internationally and hosted workshops at Ecal, Switzerland and the Vitra Design Museum. Their work is held in permanent collections around the world including the V&A Museum, London; the Metropolitan Museum of Art, New York; the Design Museum, London; the Art Institute of Chicago and the Indianapolis Museum of Art.
In 2004 the pair were awarded the Jerwood Applied Arts Prize. This led to a commission to design new pieces for the De La Warr Pavilion in Bexhill On Sea. Known for their use of colour, with the limited edition Iris tables, Barber and Osgerby developed a new direction, using colour as the starting point for the work. The same year saw the launch of Tab for Flos, a return to the folded form. In 2009, Barber and Osgerby launched their first major commission for Murano glassmakers, Venini which resulted in a series of unique, large-scale glass vases, created in limited editions and shown in Milan, Porto Cervo and London.
2010 saw the creation of an investigational installation at the Milan Salone del Mobile Internazionale and an exploration into experimental objects and environments. The objects explored and exploited Sony’s new innovations in sound technology to transform ordinary materials into sound-emitting objects. Barber and Osgerby’s research-led practice has developed collections for Cappellini, Magis, Vitra, Venini, Swarovski, Flos and Established & Sons, whilst also producing edition furniture and one-off works for both private and public commissions. Both professors of design, Barber and Osgerby have lectured internationally and hosted workshops at Ecal, Switzerland and the Vitra Design Museum. Their work is held in permanent collections around the world including the V&A Museum, London; the Metropolitan Museum of Art, New York; the Design Museum, London; the Art Institute of Chicago and the Indianapolis Museum of Art.
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